On Wednesday nights in the basement of the Westport Coffeehouse, the Independent Filmmakers Coalition of Kansas City meets. On March 5, local filmmaker Mitch Brian gave a seminar on directing actors.
“So I’m gonna talk about directing actors, and scenes, and a little bit just about the process of communicating with actors and how to make actors your friends, not make them your enemies. How ’bout that?” Brian said.
Even Andy Garrison, who teaches at the Actor Training Studio, took a lot away from the seminar.
“I thought he was terrific. I thought it was really clear. I love hearing a director talk about ‘make sure you give your actors verbs to play.’ Tell them what they can do, not how the can feel or be,” Garrison said.
“You wanna give your actor something to do. Make him want to kiss you. Get close, get close but don’t let him touch you,” Brian said.
“I thought he was really right on, especially in terms of keeping the actors busy with what they’re doing, because that’s what they can do,” Garrison said.
“Sometimes actors are self-conscious, give ’em a task. Say ‘Here, take this pocketknife and take this apple and peel this apple while doing your lines, or eat the apple,” Brian said.
Seminar coordinator Alden Miller got a lesson in review from the presentation.
“I would say 80 percent of that stuff is stuff I’ve heard before, so it was a good reminder,” Miller said. “One of the funniest things I think that I hear directors do all the time is tell people how to read lines, tell actors how to read a certain line a certain way and what words. It was kind of funny that he brought that up.”
“Big no-no, is don’t give an actor a line read. Don’t say, ‘I want you to say Hark I HEAR the cannon!'” Brian said.
“Especially nowadays in the whole hot technology thing, is to step away from the monitor and actually watch the process happening. So many people are worried about what’s it gonna look like as opposed to, you know, working with the stuff inside,” Miller said.
“But I think that your job as the director is to be as close to the lens and the camera as you can be and as close to the actors as you can possibly be. Because the only person that actor has as an audience is you the director,” Brian said.
This is Alex Lamb, signing off.